More Than Kung Fu

Shaw Brothers films and culture

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The Singing Killer

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David Chiang and Wong Ping in The Singing Killer

What’s strange about The Singing Killer is not the musical numbers, or David Chiang’s laggardly lip-synching. It’s that Chang Cheh took his most dynamic, charming star and turned him into a nearly lifeless lump. For most of the film, Chiang’s gold lamé pants are ten times more exciting than the man wearing them.

Granted, Johnny, the titular singing killer, is supposed to be moody and preoccupied; as his singing career launches him to stardom, Johnny longs for the girl he lost and worries that his criminal past will destroy his life. But Chiang takes this conflicted character and drains him of energy. Even during his upbeat musical numbers, he looks dreary and static.

Without Chiang’s dynamism, there’s very little to prop up the film’s factory-standard plot. Chang Cheh continues the migration from swordplay films to kung fu films with the film’s early action scenes, which feature some nice fisticuffs. But by the film’s end, most of the fighting is done with guns, and is not nearly as interesting.

Even for die-hard fans of David Chiang/Ti Lung pairings, the film has very little to offer. Ti Lung has one line in the film and appears, briefly, in two scenes. Vengeance! this is not.

The Singing Killer
Dir: Chang Cheh
Released: December 22, 1970

Written by Ian

March 4th, 2007 at 1:42 pm

Posted in Review

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